INFORMING CONTEXTS BIBLIOGRAPHY

INFORMING CONTEXTS BIBLIOGRAPHY –

I have not included articles, journals, essays, and the like that have been presented to us in our weekly Talis resource list. Anything that was of the like and in the resource list, and available online, I read. These are in addition and independent to those readings, and have been referenced in my crj posts where they have been used. 

 

ALLEN, NEIL WALSH & SNYDER JOEL. 1975. PHOTOGRAPHY VISION AND REPRESENTATION CRITICAL INQUIRY.

BARRET, TERRY. 2010. THE WEIGHT OF PHOTOGRAPHY.  ASP EDITIONS.

BARTHES, ROLAND. 1977. IMAGE MUSIC TEXT – THE PHOTOGRAPHIC MESSAGE & THE DEATH OF THE AUTHOR. LONDON. FONTANA PRESS.

BERGER, JOHN. 2013. UNDERSTANDING A PHOTOGRAPH. LONDON, PENGUIN.

BORZELLO, FRANCES. 2018. SEEING OURSELVES; WOMEN’S SELF-PORTRAITS. LONDON, THAMES & HUDSON.

BRIGHT, SUSAN. 2011. ART PHOTOGRAPHY NOW. LONDON, THAMES & HUNDSON.

BRIGHT, SUSAN. 2013. HOMETRUTHS, PHOTOGRAPHY AND MOTHERHOOD. LONDON, ART BOOKS PUBLISHING.

BRONTE. EMILY. 1996. BRONTE. EVERYMAN’S LIBRARY POCKET POETS. USA; RANDOM HOUSE.

BLAKE, WILLIAM. 2017. THE SCHOOL BOY, SONGS OF INNOCENCE AND EXPERIENCE . LONDON, PENGUIN.

CREWDSON, GREGORY. 1999. DREAM OF LIFE. SPAIN. EDINCIONES  UNIVERSIDAD SALAMANCA.

CREWDSON, GREGORY.2002. TWILIGHT. NEW YORK ; LONDON : HARRY N. ABRAMS.

CREWDSON, GREGORY. 2010. SANCTUARY. NEW YORK ; HARRY N. ABRAMS.

DEMAND, THOMAS. 2004. PHOTOGRAPHY. GERMAN, SCHIRMER MOSEL PUBLISHING.

DEMAND, THOMAS & MARCOCI, ROXANA. 2005. THOMAS DEMAND. NEW YORK, THE MUSEUM OF MODERN ART.

GETLEIN, MARK & HOWARD, ANNABEL. 2016. ART VISIONARIES. LONDON; LAURENCE KING PUBLISHING.

HALE, JOHN. 1994. THE CIVILIZATION OF EUROPE IN THE RENAISSANCE. LONDON, FONTANA PRESS.

HAND, MARTIN. 2012. UBIQUITOUS PHOTOGRAPHY (CHAPTER 1 UBIQUITOUS PHOTOGRAPHY A CHORT INTRODUCTION) . CAMBRIDGE, UK. POLITY PRESS.

HOLT, JOHN. 2003. TEACH YOUR OWN . DA CAPO PRESS.

JANSEN. CHARLOTTE. 2017. GIRL ON GIRL, ART AND PHOTOGRAPHY IN THE AGE OF THE FEMALE GAZE. LONDON; LAURENCE KING.

KOHLER, MICHAEL. 1989/1995. CONSTRUCTED REALITIES, TJE ART OF STAGED PHOTOGRAPHY. SWITZERLAND, EDITION STEMMLE.

LISTER, MARTIN. 2013 THE PHOTOGRAPHIC IMAGE IN DIGITAL CULTURE (CHAPTER 1 INTRODUCTION). OXON & NEWYORK , ROUTLEDGE.

MANN, SALLY. 2014. IMMEDIATE FAMILY. NEW YORK ; APERTURE.

ORWELL, GEORGE. 1947. SUCH SUCH WERE THE JOYS. LONDON; PENGUIN.

PAULI, LAURI. 2006. ACTING THE PART, PHOTOGRAPHY AS THEATRE. London. Merrell publishers.

PRAGER, ALEX. 2018. SILVER LAKE DRIVE. LONDON; THAMES AND HUDSON.

PRICE, MARY. 1994. THE PHOTOGRAPHY : A STRANGE, CONFINED SPACE. USA, STANFORD UNIVERSITY PRESS.

SCHUMAN, AARON, &  SOTH, ALEC. 2004. THE MISSISSIPPI . (ORIGIONALLY IN SEESAW MAGAZINE) 

SHORE, STEPHEN. 2007. THE NATURE OF PHOTOGRAPHS. LONDON; PHAIDON.

SQUIRES, CAROL. 2013 . WHAT IS A PHOTOGRAPH? MUNICH; DELMONICO.

SONTAG, SUSAN. 2007. ON PHOTOGRAPHY. LONDON, PENGUIN, MODERN CLASSICS.

WALKER, TIM. 2008. PICTURES. GERMANY, TENEUES .

WALL, JEFF. 1998.  JEFF WALL. LONDON; PHAIDON.

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This blog is written as part of my studies on the Falmouth University photography ma, an accredited educational programme.